An often caring, gentle and well-meaning personal life is contrasted here with the reality of the social individual, who can often be sinister, vengeful and hateful. But how can we be critical to our own worldviews when they are created by those closest to us?

Dance, concept: Soňa Ferienčíková
Visuals, VR, concept: Mária Júdová
Sound, concept: Alexandra Timpau
VFX for dancer: Florian Friedrich

EVERYWHEN 360° has been shown at numerous VR-dance festivals across Europe.

Supported using public funding by Slovak Arts Council.

An often caring, gentle and well-meaning personal life is contrasted here with the reality of the social individual, who can often be sinister, vengeful and hateful. But how can we be critical to our own worldviews when they are created by those closest to us?

A woman as a loving mother who also promotes murder and slavery; a loving couple involved in the propaganda of a perverse ideology; kids that give a fascist salute as if in play. Something is wrong in these scenes. Images of everyday families, mums, and dads with their children, tiny groups of people, close to each other, face to face with the threat of history repeating itself.

Our memories often surface suddenly, changed, idealized, and sometimes they even erase themselves spontaneously. By leaving out key events and rewriting history a barrier is built between the new generation and older people, and this makes it too easy for history to repeat itself.

dance, concept: Soňa Ferienčíková
visuals, concept: Mária Júdová
sound, concept: Alexandra Timpau

light design: Ints Plavnieks
movement cooperation: Martina Hajdyla Lacová
visual tech support: Andrej Boleslavský, Constantine Nisidis
sound tech support: Sara Pinheiro, Matej Šenkyrík
costume collaboration: Daniela Danielis
production: BOD.Y ngo / Zuzana Frištíková

EVERYWHEN has been performed nearly 50 times all over Europe and Latin America, i.e. in Rich Mix, London (UK), Festival Vértice, Salón de Danza (MX), International performing arts festival Differenti Sensazioni in Turin (IT), PLArTFORMA festival (LT), Spectaculare festival in Prague (CZ) and many others. In 2018, the performance was nominated for the Slovak theater award DOSKY.

co-producer: Motus> Alfred ve dvore
partners: GAFFA O.Z., Institute of intermedia, Lunchmeat studio
residencies: Stanica Žilina-Záriečie, Štúdio 12
Supported using public funding by Slovak Arts Council

“We are more connected than ever, we are changing into a mass that is trying to find balance. We pull and push.”

INBETWEEN is a performance that explores group tensions in a shifting environment animated by constant connectivity and instant reactions. The space amid these tensions becomes a collective mass that needs to be constantly remapped.

Concept: Soňa Ferienčíková, Mária Júdová, Alexandra Timpau
Choreography: Soňa Ferienčíková in collaboration with Mária Júdová
Set design: Alexandra Timpau

Performed and co-created by: Lukáš Bobalík, Daniel Raček, Zdenka Brungot Svíteková, Jaro Viňarský / Andrej Štepita
Sound: Milan Slama, Alexandra Timpau, Lukáš Kubičina
Light design: Ints Plavnieks

Production: BOD.Y ngo / Zuzana Frištíková, Romana Packová
Special thanks: Jazmína Piktorová, Markéta Jandová, PLAST- Soňa Kúdeľová, Renata Jurčová, Zoë Schreckenberg

INBETWEEN is included in the repertoire of PONEC (theater in Prague, CZ), has over 10 international reprises, and several more planned.

Co-production: ME-SA spolek, Tabačka Kulturfabrik, Tanec Praha / PONEC

With financial support: “Supported using public funding by Slovak Arts Council”, “This project was financially supported by the Bratislava self-governing region” and Ministry Culture of the Czech Republic.